Showing posts with label #amwring. Show all posts
Showing posts with label #amwring. Show all posts

Influence Matters Not Position

When was the last time you thought about how you influence others — how you change minds, shape opinions, move others to act? Have you thought about it at all? Perhaps you have been under the impression that Influence is not a skill?

The ability to influence is one of the essential skills for leaders at all levels. It’s more art than science, and it can be tough to get your arms around. But the bottom line is that influence matters. And as we continue to morph (at breakneck speed) into an interconnected, interdependent, increasingly global workplace, it will matter more.

The nuts and bolts of writing a Scene

Want to see a grown writer roll his eyes into the back of his head, stick his fingers into his ears and start chanting "na na na na na" like a four-year-old? Easy, just start talking about structure. Things like outlines and guidelines and scene structure and anything that smacks of planning and non-creative activity that will stifle the flow of electric wow-ness.
This paradigm of belief is based on the misconception and confusion regarding creativity vs creation. Creativity is a force, an energy, and a chaos, which if guided through  a filter of brainstorming often results in plots, ideas, characters and dramatic paradigms for a story. Creation, is the process of structure applied to the wild energies.

Scene/Chapter Transitions(Bridging)
Writer Tech

Ever feel the story is choppy, but can’t figure out why? The transitions between scenes or the chapters are a good place to begin. Transitions are words or phrases, which move the reader from one topic, idea or message, to the next in a sentence, but also this term describes the moving between scenes and chapters. The goal with these transitions
  • covey why the next topic matters
  • introduce an urgency
  • create a tension for the scene ahead 
  • if applicable, introduce characters 
So, a well composed transition reaches back, then forward, and gives a sense of interest, even urgency.

The Malleable Variance of What We Call Time

In his Rhetoric, Aristotle acknowledges that it would be better if we could make our case without either browbeating or flattering the audience; nothing should matter except "the bare facts." He laments, "other things affect the result considerably, owing to the defects of our hearers."

Your perception of time does not adhere to "world time." You might have the opinion that I should have said, 'does not always adhere to world time', but that's a lie. Your sense of time is as easily disturbed as a puddle of mud, and just as transparent.

If a man with a bass voice reads a script at exactly the same speed as a man with a tenor voice, the bass voice feels slower, by a notable degree.

When your body temperature is high, your sense of time is also slowed. In one experiment, subjects with fevers were asked to count to 60 at one number per second. Without exception, they counted much faster.

Having a low body temperature  you would count slower, as the sense of time moves much faster.

Under the influence of blue light, time is underestimated -- which is why nightclubs use it, to give you the sense that you really haven't been there that long.

Under the long wavelengths of red light, time is overestimated and every thing feels like it is in slow motion.

The Theory of Planned Behavior

Introduction The Theory of Planned Behavior (TPB) provides a comprehensive framework for understanding and predicting human actions in a pla...