Andrew Blackman |
The feeling that I’ve only
expressed a tiny fraction of what I really wanted to say. |
|
|
Anne Brooke |
The knock-backs. Boy, how they
floor me. Yes, they do. No matter how many other marvellous things are
happening, one rejection can make me feel like it's simply not worth it and I
have no abilities whatsoever. That may of course be my manic-depressive tendencies
speaking but, my goodness, those tendencies can make themselves known in no
uncertain terms when they wish to. And I dread the moments when I have no
idea where my characters or storyline are going, and I'm floundering around
like a gaffed salmon on the bedsheets (to misquote Wodehouse). That's hell
too. |
|
|
Ardella Jones |
Settling down to it when
Frasier’s on daytime TV. |
|
|
Beanie Baby |
The worst thing is that my
thoughts never ever leave it and I find that incredibly frustrating when I
know I have to go to the office every day. It is all-consuming and 24 hour -
even my sleep is disturbed by it. But I wouldn't have it any other way. |
|
|
Bill Spence |
For me the worst thing about
writing is finishing the book and having to leave the characters I have
become close to and know so well, but there are new people to meet in the
book ahead. |
|
|
Cally Taylor |
Near constant self-doubt and
worry. |
|
|
Candi Miller |
Sitting on your bottom, all
alone in front of the keyboard, for days, months, years on end. |
|
|
Candy Denman |
What's the worst thing about
writing? |
|
When
you have just sent the completed script off and are waiting for the
producer/director/script editor to get back to you with their comments.
That’s when you suddenly realise the hero can’t solve it that way, the baddie
is in two places at once, and the whole plot hinges round something
that can’t really happen. |
|
|
Caroline Rance |
The feeling that, because it
doesn't bring in a regular income, I'm not allowed to take it seriously. Some
people still seem to see it as a cute hobby to keep my little brain occupied
while I'm sitting at home doing nothing except looking after a toddler. I
wish society would accept that some things are worth doing even if they don't
attract a wage. |
|
|
Cassandra Clare |
It can get very lonely |
|
|
Catherine Cooper |
Waiting. I’m not a
patient person and find the pace of the submissions process soooooo
sloooooooow. |
|
|
Catherine Richards |
Having lots of ideas and not
enough time to get them written down. |
|
|
Cathy Glass |
Nothing for me. I love every
stage of the writing process, from that furiously scribbled first draft, to
the endless revision where the manuscript magically transforms before your
very eyes, to the final proof reading. To create a piece of writing, whether
it is a paragraph or full length manuscript, is sheer joy for me. |
|
|
Christina Courtenay |
I don’t really think it has many
downsides for me. I love writing and everything involved in the process. Of
course it can be frustrating when it doesn’t quite flow the way you want it
to, but that’s something you have to accept and work around. |
|
|
Claire Allen |
Finding the time! As a full time
journalist and also a mother of a three year old it can be hard to find time.
Alongside that, when I'm really into the writing process I find it hard to
switch the characters off in my head. They are always fighting to get out- so
at times I'm covering the local news fixtures, planning what to cook for the
wee man's tea and trying to keep my MC quiet until I can actually sit down in
front of the lap top. |
|
|
Claire Moss |
The constant self-doubt. I don't
think you can be a good writer unless you are endlessly critical of your
work, but it does leave you with a nagging sense of not being good enough. |
|
|
Courttia Newland |
The money. |
|
|
Craig Baxter |
The self-absorption and time
spent inside your own head when you could be out there having a real life |
|
|
Danny Rhodes |
The only thing that frustrates
me about writing is not being able to afford to do it full time, but I’m
working on that! |
|
|
Dawn Finch |
Oh, that one is easy! Editing
your own work. That is a ghastly process of reading and re-reading and going
over every fine point for repetition, lost meaning, possible confusion and
flow. That whole process is agony – and I can’t have a glass of wine doing it
as I can’t afford for my concentration to drift off! Having to be brutal and
critical over your own work is so hard. I know that it will be edited at the
publishers and so when I’m getting down to fine points like commas it is a
little bit like tidying your hotel room before the maid comes – but I still
prefer to do it for myself. |
|
|
Deborah Swift |
I suppose the general angst and
insecurity that I always think my writing’s not quite good enough. But it
doesn’t stop the itch to do it |
|
|
Diane Samuels |
The loneliness sometimes, the
lack of daily support by others and not having a regular paycheck.. |
|
|
Domenica De Rosa |
For me, there is no down side. |
|
|
Elizabeth Buchan |
I think one had to guard against
being thoroughly neurotic. A harsh verdict from a critic or a reader can
plunge me into gloom. But I am aware that you will never learn if you ignore
the bad review. It is a painful, but necessary, process and if you flinch
facing up to the mistakes, then you do yourself a disservice. |
|
|
Emilia di Girolamo |
The fact that it takes a long
time to make it financially successful unless you are very lucky or have
a truly unique talent and
that you have to do other things to supplement your income. In terms of TV,
the fact that it takes so long to get the work from script to screen so I
can't be as topical as I might like. |
|
|
Eva Salzman |
Getting started. Each time.
Secretarial and domestic drudgery. |
|
|
Eve Ainsworth |
The self-doubt never goes away,
and it’s an evil beast. |
|
|
Fiona Robyn |
I seem to have to overcome huge
resistance whilst writing first drafts, and have to force myself to my desk! |
|
|
Gary Davison |
People interrupting you. |
|
|
George Szirtes |
Nothing bad. The worst thing is
not writing. |
|
|
Gillian McClure |
Silence when I don’t want it;
publishers’ silence; answer phones that say, ‘You have no messages’. |
|
|
Gordon and Williams |
RG: Not being able to. |
|
BW:
Editors (Haha!) |
|
|
Helen Black |
Self doubt. I always think
everything’s rubbish. |
|
|
Helen Castor |
It’s really hard. For me, at
least! Every word is like getting blood out of a stone. |
|
|
Jae Watson |
Never being as good as I want to
be |
|
|
James Burge |
The fact that first drafts
always read like teeth-clenchingly embarrassing rubbish. It always comes out
all right in the end but I can never seem to get it right first time. |
|
|
Jane Elmor |
Self-discipline when you work on
your own is always the killer. Making sure you get up and don't spend the day
in a dressing gown, surfing the net or watching daytime TV. Talking to
yourself and forgetting how to behave in polite society. The desire for wine
at lunchtime and a snooze in the afternoon. The craving for a fag when you
get stuck, even though you gave up years ago. The enormous mountain of
unwritten words you have to face at the start of a novel. Knowing that there
is the perfect word, phrase or metaphor out there somewhere for what you want
to express and not being able to find it. Having to be ruthless during edits
– it's painful slashing things out that you've spent ages crafting. (Save the
amputated parts somewhere though – it makes it hurt less to think you could
use them in something else some time.) |
|
|
Jane Rogers |
The solitude. |
|
|
Jem |
The ups and downs, the lack of
ideas that occasionally occurs, the fear of rejection, the certainty that
you’ll never get another idea after this one, the cheque that’s in the post,
God where do I start? Like they say on the X-factor - It’s a rollercoaster of
emotions. |
|
|
Jenn Ashworth |
The fact that you never know how
it is going to work out. I don't plan, I type away in the dark until a shape
or a voice appears. It's horrible and frightening to think of how much time
I've wasted getting to an idea. I'm a slow and wasteful writer - much more
than half gets thrown away, because, as I said, I have to write it out before
I can think it or see it. |
|
|
Jill McGivering |
The re-writing – again and again
and again… |
|
|
Jim Younger |
I don’t think there’s any ‘worst
thing’ about writing, or the best either. “Life is a Roller Coaster, Just
gotta ride it,” as Mr Keating wrote. But yes, like when you hit your stride
on a great fiddle tune, there are moments of exultation - and moments near
despair too, and all sorts of crazy feelings that go along with the whole
trip. |
|
|
John Murray |
The worst thing about writing in
my case has been the ups and downs of getting published. Aidan Ellis did two
more of my books; Kin(1986) and Pleasure(1987).The latter was a book of
stories that won the Dylan Thomas Award in 1988. But he turned down Radio
Activity(subtitled 'A Cumbrian Tale in Five Emissions') and my agent also
ditched me once they saw it. It went round 35 publishers unagented before a
tiny outfit called Sunk Island published it in 1993. It was immediately
chosen as a Book of the Year in the Spectator and Independent and got rave
reviews from Jonathan Coe and DJ Taylor. The lesson there is I suppose never
give up and don't always believe what the publishers and agents tell you!
They're not infallible, though they like to pretend that they are. |
|
Since
then I've been with Flambard who have really looked after me. They're only a
small press and there are no great financial rewards, but they've done four
of my novels in five years and a reissue of Radio Activity to boot. John
Dory(2001) a spiritual thriller about a man and a fish, got some great
reviews in the Mail on Sunday, the Sunday Times etc. Jazz Etc(2003)was
longlisted for the Booker and that really affected its sales. Murphy's
Favourite Channels(2004)was a Novel of the Week in the Daily Telegraph. |
|
The
other tough thing about writing is when you've managed to get a book
published and the reviews aren't happening. I have a couple of friends who've
struggled for decades (literally) to get in print and once it's happened they
haven't had a single review. That is to say the least very demoralising. I've
been lucky myself. Murphy's Favourite Channels got 10 reviews in the national
papers and only 2 of them were bad ones! |
|
|
John Ritchie |
Not having enough time and/or
money to devote yourself entirely to it. Though even as I write that, I know
it is a cop-out. You can always find what you need of either, if you really
want to. |
|
Okay,
the next worse thing is doubting yourself, and your ability to write. That
can get you into the dreaded Ground Hog Day where you write Chapter One Page
One over and over again as you seek that elusive perfection. AARRGGH! |
|
|
|
|
|
Jon Haylett |
I am, effectively, a full-time
writer now, and there is little that I find unpleasant until a book or a
story is ready to be presented to the outside world. With short stories, I
send them to competitions, which is relatively painless, but interesting agents
and publishers in a book is a gruelling battle |
|
|
Jonathan Wolfman |
Disciplining yourself to do it
when no one’s paying you or giving you a deadline. You have to be
self-motivated. Dealing with rejection was the worst, but you have to get
used to it. Also dealing with your own negativity. It’s very easy to lose
heart and think you are crap. |
|
|
Josa Young |
Not being able to write fiction
due to one crisis after another. And understanding that looking at Amazon
rankings is a form of madness. Isabel Wolff has come up with the brilliant
phrase ‘novel gazing’ for this insane activity. |
|
|
Julia Bell |
Not being able to listen to the
radio at the same time. (As I imagine all artists must be able to do . . . ) |
|
|
Julia Copus |
Having to be self-disciplined.
It’s easy enough to sit down at your desk when you’ve already got your teeth
into something – and it’s much easier if you’re working on a longer project,
or something with a narrative thread which you can pick up each morning.
After I’d written my first radio play (which took me only a few weeks), I
realised to my horror that it contained roughly the same number of words as a
whole poetry collection. A poetry collection often takes years to finish. I
think that’s because each new poem is like a new project, and each new
project takes a little time to feel your way into. The trick might be to have
several things on the go at once. I’m experimenting with this at the moment! |
|
|
Kal Bonner |
I've just discovered that the
worst thing about writing, is trying to answer a question about the worst
thing about writing. Apart from being Liverpool FC's masseur, it has to be
the best job in the world. |
|
|
Kate Long |
I’ve found the business of
self-promotion hard. I was always taught as a child not to push myself
forward, and really you have to if you’re going to publicise a book. |
|
|
Kate Tym |
It’s really, really,
really hard to consistently make money. There can be periods of feast – but
there’s a lot of famine too. |
Kia Abdullah |
Having to be extremely
self-disciplined. There may be days on end where you don’t feel inspired and
you don’t want to write but you have to be disciplined and take the time out
to sit down and write. Otherwise, you would never get a manuscript finished. |
|
|
Kit Peel |
Reading most first drafts… |
|
|
Laura Watson |
It can be lonely at times and
the work can be unpredictable. |
|
|
Lee Henshaw |
I’m too enthusiastic about
writing to consider the worst thing about it. I’ve heard talk of the tyranny
of the blank page, the famous writers’ block, but Van Gogh said why should a
painter be afraid of a blank canvas, a blank canvas should be afraid of the
painter. I thrash every page I write on until it submits. |
|
|
Lee Jackson |
The process of writing – sitting
alone in a room at a keyboard and typing – is a repetitive and mundane one,
no matter how creatively satisfying the results. But I can’t quite see any
other way of doing it. The rewards, too, are rather peculiar. The ultimate
result – the finished book – is a massively deferred pleasure (about nine
months in my case). You have to be rather stubborn or obsessive to stick at
it – a sensible person just would not bother. |
|
|
Lola Jaye |
Sometimes it’s just so hard to
get the motivation going- especially when stuff like changing the vase water
suddenly seems like the most important thing in the world. But luckily, once
you start it’s easier to really get into it and then it’s all lovely again.
But then there’s the dreaded writers block. Don’t get me started on that… |
|
|
A L Berridge |
The compulsion. The not having a
choice whether you write or not, but being totally bloody forced to do it in
order to get the story out of your head before you go mad. |
|
|
Lucy McCarraher |
With two small children, the
village community and some occasional work-life balance commissions to attend
to, the only downside is not having enough time to write. Otherwise nothing.
Being a full time novelist would be the fulfillment of a dream and so far I
haven’t found a downside to the writing itself. So far the
publicity/marketing side has been quite fun, but I could get tired and
stressed with that. |
|
|
Luisa Plaja |
Aching for more time to write.
Oh, also banishing that annoying inner critic. I've got a really loud one
here. Grr, go away. |
|
|
Malcolm Burgess |
Running out of black Bic fine
point biros and having to write with the stubby one you were sent by the
RSBP. |
|
|
Maria McCarthy |
Getting started. |
|
|
Mark Booth |
The time that gets eaten up
whenever I sit down to start writing and I should be doing something more
useful. Time goes so quickly these days that I feel guilty just answering
this questionnaire. I’m keeping my answers deliberately short. |
|
|
Mark Liam Piggott |
Rejection |
|
|
Matt Lynn |
The middle. The beginning of a
book is great because it is a fresh start. And the end is great because it is
exciting (if it isn’t, there’s something wrong with your book!). But between
40,000 and 60,000 words is a slog. |
|
|
Meg Peacocke |
The superstitious fear that
overcomes me, when I’ve finished a poem, that I may never make another. I
don’t believe it, but I still can’t stop the fear kicking in. |
|
|
Michael Ridpath |
Rejection. All writers
experience it at some stage in their career, usually at the beginning. For me
it was in the middle. You know you shouldn’t take it personally, but it is
impossible not to. I sometimes think successful people are just those who
don’t give up. |
|
|
Michelene Wandor |
Having to ‘audition’ for each
new commission; it’s also worth remembering that there is an enormous amount
of admin work attached to being a writer. It sometimes feels as though too
much time goes on this admin, before one can actually get down to the writing
itself. But that goes with the territory. The insecurity is absolutely the
worst thing. |
|
|
Michelle Harrison |
There’s not really much that I
don’t like about it. My only niggle is thinking you’ve got a good idea or
plot-line only to find that someone else has already done it. This has only
happened to me once and luckily it was with a very small part of the story,
but it can still be frustrating. |
|
|
Milly Johnson |
Neurotic feelings that my books
won’t be bought and my career will end – because I’m not fit for anything
else! |
|
|
Neil Forsyth |
Waiting for news. |
|
|
Neil J Hart |
The hardest, and therefore I
suppose the worst thing about writing, is not knowing whether what you’re
writing is any good. Are the characters interesting enough, will people
connect with the plot, will they get it, do I get it, has this all been done
before? It’s important to challenge yourself and your writing, otherwise how
can we evolve as writers? I keep a small group of close friends and writers
that give brutal, honest feedback on ideas and writing work but essentially
you’re on your own. |
|
|
Neil Nixon |
The uncertainties around whether
projects in development will ever get to production. Also the often painful
collision between things I care about and the grim realities of the market. |
|
|
Nick Griffiths |
The compulsion to self-motivate. |
|
|
Nick Stafford |
The fallow times when you feel
you’ve no imagination left and the barren times when nobody wants you. |
|
|
Nicky Singer |
It never goes away. |
|
|
Nik Perring |
Without the shadow of a doubt:
the waiting. The whole industry, through little fault of its own, appears so
slow to writers. There’s the months of waiting for responses from agents and
publishers – and then even once everything’s agreed and signed it can be
months (sometimes even years) before your book is released. I think the
lesson to be learned from that is that you don’t need to rush anything where
your writing’s concerned. Take your time and make sure you get it right. |
|
Being
such a solitary process it can get a wee bit lonely. Being a member of the
fab writewords community helps with that though. |
|
Oh, and
hearing the hoover start up when you’re trying desperately to concentrate
comes a close second! |
|
|
Patricia Cumper |
The worst thing about writing is
the uncertainty of the life, not knowing from year to year how you are going
to survive. It may also be a good thing as it does spur you on, helps you
focus on finding the next story you want to tell. |
|
|
Patrick Dillon |
Not knowing whether something’s
working or not. |
|
|
Paul Reed |
The nerves before a reading. It
can be terrifying. It's
all about controlling yourself in the end. |
|
|
Peter Robertson |
The monastic aspect but there is
simply no other way if you are to get down to it. I am a gregarious man by
nature and a large part of me thrives on the cut-and-thrust of the world.
That said, I can cope with the loneliness of the writing vocation. I have had
a lot of illness in my life—one illness, which was diagnosed in my early
thirties, was devastating and lasted for fifteen years. I was confined to bed
for long stretches, saw virtually no-one in the early stages, and was forced
to look inwards. During this time I had no option but to come to terms with
myself. So I now have the inner resources to shut myself in a room and will
the world to recede. |
|
|
Preethi Nair |
The solitude |
|
|
Rebecca Connell |
I thought for a long time about
this, because I can’t find much wrong with writing! I suppose it would have
to be the necessity to do it even when you don’t feel like it. My writing
motto is, “A man may write at any time, if he will set himself doggedly to
it” (Samuel Johnson), and I do try to keep to that, but it can be very hard
to plough on when you don’t feel inspired. I know from experience that if I
work through it, no matter how terrible I think my writing is, I will look
more kindly on it in retrospect. I don’t tend to suffer from serious writer’s
block, and I think my willingness to “stick it out” when the going is tough
is the reason for this, but it can certainly feel unpleasant at the time. |
|
|
Rebecca Strong |
Not having enough time to write,
or having the time and wasting it. |
|
|
Ron Morgans |
The book publishing system. It’s
antiquated. I helped Eddie Shah launch the Today newspaper with new colour
technology in 1986. The publishing industry is just getting round to using it
now. |
|
|
Rosy Barnes |
The old cliché: people asking
whether you're going to be the next JK Rowling of course! (They DO do this,
even to me - I mean does Sadomasochism for Accountants sound like a kid’s
book to you?) |
|
And
people asking “what it’s about?” which normally provokes the response, “Err,
umm, it’s about this bunch of accountants, right? And this bunch of
sadomasochists and…” I HATE people asking what my book’s about. (It does make
sense when you read it. It does! It does!) |
|
|
Rosy Thornton |
There aren’t any bad things
about writing. Not for me, though there are plenty for my family (“Mum?” –
“Shut up I’m writing!”). But there are plenty of horrible things about having
things rejected by agent and/or editor, which has happened to me a fair bit
even after getting my agent (one completed novel in 2005 rejected by the
agent, another completed novel last year which hit the editorial rocks, and
40,000 words of yet another this past winter which my agent chucked out….).
My productivity is on the manic side but my hit rate is pretty damn low! |
|
|
Sally Nicholls |
With Ways to Live
Forever it felt like I’d solve one problem and six more would appear. I wrote
the book in lots of disparate scenes. This was wonderfully liberating when I
started, because I’d think “There should be a scene about snow and it should
go somewhere near the end” or “Sam would like that story, that will go
somewhere in the middle” and then I’d just write it without worrying. The
problem came when I tried to sew them all together with something
approximating narrative thread. I think I wrote twelve entirely different
opening scenes, for example, before I found one that I liked. Other problems
included getting the tone light enough to appeal to children without
trivialising the issue, getting all the medical details right and having it
address all the philosophical and emotional questions that I wanted it to
address, while keeping it funny and interesting. |
|
|
Sally Zigmond |
Getting going in the morning. I
waste so much time after I’ve switched on the computer, checking emails and
catching up on blogs, websites, and forums such as Write Words! I tell myself
that because they’re all writing-related, that it’s relevant and essential—which
they are—but they’re also classic displacement activity. |
|
|
Sara Maitland |
The fact that I never do as much
or do it as well as I would like to and know I could. |
|
|
Sarah Salway |
When people who are not writers
tell me how they would write too, if only they had the time. |
|
|
Sarah Stovell |
If you want to look at it as a
job, there’s not much money in it and no security. I have no idea whether
anyone will still want to publish me two years from now. |
|
|
Shelley Weiner |
Waiting for responses. At every
level. For me, it never gets easier and I’ll never get thicker-skinned about
it. It’s kind of comforting that – although some writers are better than
others at showing it – everyone feels vulnerable. The problem is that the
publishing business is a hard-nosed one and it deals, on the whole, with
sensitive souls. Rejection and the fear that we have nothing more to say is
something we all have to deal with. |
|
|
Shika |
Well, there's a certain lack of
credibility until one is published, no? I think blogging, competitions and
opportunities to read work out can help but I think this legitimacy or lack
thereof is a huge challenge for the unpublished writer. |
|
The
other issue is the lack of focussed support for those of us who are yet to
bag an agent and or a publisher. It seems odd to me that here you have an
industry that has to rely on a steady stream of new writers for content and
yet does nothing to seek out, sustain or hone new talent. Seems like an odd
way to plan for the long term and I'm not aware of any other industry that
does not try to build long-term alliances with potential suppliers based on
old-fashioned transparency and trust. |
|
|
|
Sion Scott-Wilson |
Isolation and viruses. I hate
viruses, I hate the people who create |
them. I
keep smashing keyboards. Now that I use a mac, I keep |
smashing
keyboards. |
|
|
Smith Browne |
Spelling. |
|
|
Sol B River |
Oh dear .... er ... many things,
money has so far eluded me and that unfortunately has a bearing on when I can
write. I'm only as good as my last play. It's quite painful for me (the
actual writing) even in a pleasurable way. It's all engrossing, so time
passes very quickly and very slowly or just stands still. I live on the edge
of the city centre so many times in-between writing scenes I will walk into
town wondering what I'm doing with my life..... that's probably the problem,
I should be thinking what I going to do with the scene. |
|
|
Stella Duffy |
Having to keep going when I’d like to
just write A … C ….P … and then Z, but have to fill in the gaps. |
|
|
Steve Feasey |
The guilt you feel when you
don’t write. I’m hopeless at organising myself, and I’ve a propensity to faff
around when I should be tapping away at the keys of my laptop. When I have a
couple of days in which I haven’t written very much I tend to kick myself
around a bit and get moody. |
|
|
Steven Hague |
The worst thing about being a
writer is the fact that you have to stay positive – you have to constantly
live in hope: hope that you’ll find an agent, hope that you’ll find a
publisher, and hope that you’ll find an audience - two out of three’s a start
and I’m working on the third. |
|
|
Sue Moorcroft |
Rejections. We all get them, in
some form. Even in contracted manuscripts an editor will ask for substantial
changes. Rejections are part of a writer’s life and I accept them and learn
from them. But, groany groan, who likes them? |
|
|
Tania Hershman |
Having to be alone to
do it, and needing to get away from family and friends and shut the door. I
feel like I push people away, but for me there is no other way to be a
writer. |
|
|
Tim Lott |
The boredom. |
|
|
Tony McGowan |
It can be lonely and boring and,
as I suggested above, it turns you into a crank. And I’ve lost some good
friends who thought they saw themselves in my characters, and didn’t like it.
Plus, unless you strike it lucky, the pay is rubbish! |
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Tracy Buchanan |
Forgetting to eat! |
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Vanessa Curtis |
ilt for not doing it. Guilt for
doing it. Wasting days. Comparing myself unfavourably to other novelists. The
long periods of time when I have to wait: waiting for inspiration, waiting to
find time to write, waiting to hear from agents, then publishers, etc. The
way that writing is so tied in with my sense of self-worth – it shouldn’t be,
but it is. The incredible odds stacked against success of any kind – is there
any other career where you work alone on projects for maybe years at a time
with no guarantee of any recognition at the end of it? |
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Vanessa Gebbie |
The fact that it creeps up on
you when you aren’t prepared. If a story wants to be written, it wants to be
written NOW. Not in five minutes, or tomorrow. NOW. It gets in the way of
family life, that’s for sure. And I think I have probably lost quite a few
friends since I started writing seriously. |
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William Coles |
I don't know about the
"worst thing" - it's all part of the process. I love writing and if
you're a writer then you know it's going to be a slog. But ... oh yes! I
know! Editing! This is not my forte. Going through draft after draft and
tweaking and fiddling, until I haven't got a damn clue whether the first
draft was better than the tenth. That's why I adore writing for newspapers.
You write your whole story in four hours flat, read through it once, send it,
and bingo - it's in the next day's paper. Books have the gestation period of
an elephant. I'm not especially good, as they say, at "killing my little
darlings". |
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William Sutton |
The lack of imposed structure. |
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Zoe Lambert |
How you invest so much of
yourself in it. Whatever it’s about, it is intensely personal. After a while
I learnt to distance myself from it. |
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Zoe Williams |
Oh, you know, sometimes
everything that comes out of your head is just horrible, but you’re in a rush
and you’re not a perfectionist at the best of times, so you just send it in,
and they come back to you 17 times with changes because they know it’s shit
but they can’t put their finger on why, and 17 times later, it’s just as bad
as it was in the first place, but it’s taken 17 times as long. |