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Free from Jerusalem

 
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It isn't that I don't like historic research -- in fact I love it, but I really need to be more careful regarding the subjects/timelines I choose to jump into. Thirty days writing a single chapter is rather frustrating, but I finally got enough information, and insight to get what I wanted into the chapter, and finished it last night. So now I can get back to editing the rest and move forward to my publishing date.

Often I hear novelist talking about their fictional worlds becoming too real. I know exactly what they are talking about now. It isn't that I believe my fictional world, it is that the world has become so defined inside the scope of the novel, there are now hard walls which must be adhered to, or the story fails to keep the attention of the reader. Fails to maintain that Suspension of disbelief


Coleridge suggested that if a writer could infuse a "human interest and a semblance of truth" into a fantastic tale, the reader would suspend his or her judgement concerning the implausibility of the narrative. -- wikipedia


I was just getting to sleep last night and a whole scene for chapter 32 fell into my brain, so of course I got back up, grabbed my blackberry and jotted down enough of the idea to be able to recall it today. I have to do that with ideas -- write them down. If I don't, all I remember the next day is that ... I had a good idea ... and nothing else, except that it was good.

The image above is the Cross bar, that Dismas was crucified on.

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