Etymology: late 14c., "revelation, disclosure," from Church Latin apocalypsis "revelation," from Greek apokalyptein "uncover, disclose, reveal," from apo "off, away from" (see apo-) + kalyptein "to cover, conceal," from PIE root *kel- (1) "to cover, conceal, save." The Christian end-of-the-world story is part of the revelation in John of Patmos' book "Apokalypsis" (a title rendered into English as pocalipsis c. 1050, "Apocalypse" c. 1230, and "Revelations" by Wyclif c. 1380).
Phrasal Verbing Character Voice
It occurs to me that our age can be deduced by our phrasal verbs. When we are young, it is all up; we run up, grow up, rush up, want to stay up. When we are older it is all down; slow down, hold it down, calm down, I need to lay down.
Grendal's Mother in Beowulf
Until the late 1970s, all scholarship on Grendel's mother and translations of the phrase "aglæc-wif" were influenced by the edition of noted Beowulf scholar Frederick Klaeber. His edition, Beowulf and the Fight at Finnsburg, has been considered a standard in Beowulf scholarship since its first publication in 1922.
Emotive, Emotion and Feelings
To write is to persuade. To persuade is to make a connection and if you want to motivate then that connection will have to be an emotional connection. If the goal of your persuasion is to keep the reader turning pages, the path is the same.
Approaching Action and elevating tension
Have you ever read a novel that has tons of action, car chases, kidnappings, escapes and gun fights -- that doesn't keep you awake even though it is 10:00am on Saturday and you just finished two pots of coffee? Yeah, that's a common problem with newer writers and one that has some simple fixes. Since friends don't let friends publish crap, here are some of the tactics I use for action.
Erotica of the Mind and Soul
My favorite erotica author has always been Anais Nin. My love affair
with her storytelling has never faltered and never strayed. She wrote
true erotica, and did it several times without a sex scene.
“Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings -- of tarnishings.”
― Anaïs Nin
“Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings -- of tarnishings.”
― Anaïs Nin
How to become a more persuasive writer
Tips for Aggressively Increasing Your Persuasion Levels
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